Behold!

The opening went well - lots of people. A lot of people I didn't know. Lots of questions and some interest in buying. (We'll see about that.) Thank you Center on Halsted for showing my work! 

It was very interesting to see 14 of my paintings all hung together - I never get to experience them that way. The lighting is unforgiving, I need to be more careful with impasto and perhaps I should varnish them when they're finished. Lots to learn. 

I also started the critique class at SAIC last night. I need to learn to talk and write about my work better. It's time to apply to the Chicago Cultural Center! And I know my artspeak is weak. I brought this piece in - it's still a bit wet, I worked on it Sunday and Monday. I think it's going well - the light quality suggests an oncoming storm. Perhaps I need more darks. And! Big hand.

My show opens in 10 days

I'm still working on a couple pieces. I don't think one of them is going to work out, but I'm pretty sure another definitely will – if I don't manage to fuck it up.

This is the one that I think will work out. Set in the same room as Dreams of the Abandoned. I have yet to paint the woodwork (currently blue), the clothing, a mask on the man in profile – Venetian, I think – and then add shadow on the figures as th…

This is the one that I think will work out. Set in the same room as Dreams of the Abandoned. I have yet to paint the woodwork (currently blue), the clothing, a mask on the man in profile – Venetian, I think – and then add shadow on the figures as they're backlit. That's a longer list than I expected. Damn. 

I think this one might work out as well. All the red is underpainting for white. I like the red to show through a bit. 

I think this one might work out as well. All the red is underpainting for white. I like the red to show through a bit. 

I fear this one won't work out – this isn't even what it really looks like, I put a gray layer over it in photoshop excepting the bright area where they're lighting the cigarette. I wanted to see how it would look before painting it. Mostly because …

I fear this one won't work out – this isn't even what it really looks like, I put a gray layer over it in photoshop excepting the bright area where they're lighting the cigarette. I wanted to see how it would look before painting it. Mostly because I can't paint it until it dries more.

Worked all weekend

Starting to feel a bit anxious about the upcoming show. Painted all weekend, but there still seems like there's so much left to do. Arg. 

This one might be finished. Have to look at it more later.

This one might be finished. Have to look at it more later.

This is a small one, a 12x12". Pretty happy with it, I think.

This is a small one, a 12x12". Pretty happy with it, I think.

Another 12x12". I'll paint in the webbing when the red dries a bit. 

Another 12x12". I'll paint in the webbing when the red dries a bit. 

I"m revisiting this image. It's not working in daylight, however. I'll have to change it to dusk.

I"m revisiting this image. It's not working in daylight, however. I'll have to change it to dusk.

Another 12x12" - obviously unfinished. The big hand needs work. But I like the ear.

Another 12x12" - obviously unfinished. The big hand needs work. But I like the ear.

Productive Weekend

Worked on three paintings this weekend - two 12 x 12" of young men and a 22 x 28" that's part of the mid century group. All the red is underpainting, and on the mid century one, it's ALL underpainting.

solo show

My show – opening on September 30 at The Center on Halsted – is really starting to take shape. Still have a lot of work to do!

two at once

I spent a long weekend painting, starting two new ones simultaneously. One another Mid Century Modern tableau and a smaller painting in a more intimate setting.

Still half underpainting. And I cocked up the tablecloth pattern. But I love the man in the center's shoes.

Still half underpainting. And I cocked up the tablecloth pattern. But I love the man in the center's shoes.

This one is closer to finished. I'm thinking about what it needs.

This one is closer to finished. I'm thinking about what it needs.

Show in September

I'm trying to get ready for my solo show at the end of September. I've been working on some smaller pieces and mapping out new paintings. I just have to find enough time to paint it all!

I recently finished this, a second Mid Century Modern painting. I added the picnic blanket at the end, but I'm quite happy with it. The standing man is from a photo I took of a snazzily dressed dude on the London Underground.

Picnic on the Grass. 36 x 24", oil on canvas, 2016

Picnic on the Grass. 36 x 24", oil on canvas, 2016

NSFW

Almost finished with this one. I may lighten the background (or darken the background) so the prosthetic arm shows up better. And when it dries enough, I'll add the smoke from the cigarette. No title yet - working title is 'Hands, hand,' but I'm not sold on that.

Tea Time

I was able to paint for a couple hours on the new one after work last night - I worked on Spiderman's clothing mostly. It's far from finished (and now that I look at it, I have more work to do on that green shirt) but it's starting to come together. Here are a couple details:

  

 

 

In other news - What Happens In The Dark has a new home! 

Hard Lessons

I spent a number of years, roughly 2006-2012, racing bikes instead of painting. I wasn't really painting anyway and I've always loved riding my bike. And I've always been competitive. Bike racing is an incredibly difficult, grueling sport with a very steep learning curve. It's especially difficult when you start in your mid- to late-30s having never been athletic. I discovered I lacked fast-twitch muscle - the kind that allows sprinters to sprint - but I was able to develop my slow-twitch, the ability to ride hard for a very long time. With a lot of training - riding two to six hours five days a week, every week, for years; going to week long training camps in hilly country every year and racing roughly 40 races every year. 

I was pretty hopeless when I started. Dropped from the pack in every race, nervous and sketchy on the bike. But I learned. I became a very solid pack rider, I worked very hard on explosive power so I could stay with the pack in the surges. I lost weight so I could climb more quickly, but was still heavy enough -- and balanced enough -- to ride in strong, gusty wind. I ended up being good at long, flat road races, the longer the better, especially if there was some complicating factor - bad weather, gravel roads, etc. I actually won some races. I moved up a category. 

And I learned how to set goals, short term, mid term and long term goals, and to achieve them through hard work, time and effort. 

This is a long way of saying that while I regret not painting those years, I learned so many valuable lessons that are serving me well now as I get rejection after rejection from exhibits and publications to which I'm applying. If it came easily, would it even be worth doing? Doing something difficult, something new, something uncomfortable builds character. Achievement means so much more when it's hard-won. 

So I'll keep on. 

Easter!

Over the weekend I worked a lot on the new, as yet unnamed, painting. I have most of the underpainting done and it looks like an easter basket exploded all over it. So much pastel! But the final colors will be bolder. 

I saw Mastry, the Kerry James Marshall retrospective at the MCA last week. It was fantastic, of course. I ended up taking closeups of a lot of the paintings -- of underpainting, of where realism becomes abstraction, different kinds of brushstrokes. He continues to be an inspiration.

Perhaps I'll call it Jammie Dodgers.